![]() ![]() I Love You De Kooning (1977) by Joe Brainard and Bill BerksonĪ Portrait of Keiichi Tanaami (1966) by Keiichi Tanaamiįrom “La creation ouverte et ses ennemis”, Internationale Situationniste 5 (1960) by Asger Jorn (Situationist International) ![]() ![]() Performing K.K No.2 (1964) by Öyvind Fahlströmĭeep Freeze (1968) by Joe Brainard and Bill Berkson The form can be rigidly gridded like the Western (European and North American) ones, or freer and more expressionistic like shōjo manga.Īrtists with an appreciation for comics have been fascinated by this interconnection, such as Jess, Joe Brainard, Öyvind Fahlström, Guy Debord, Situationist International, Isidore Isou (and fellow Letterists), Keiichi Tanaami, and Bazooka Collectif (which created influential collage art for both the newspaper Liberation and comics magazines like Hara-Kiri in the '70s).ħ Roles: Une semaine sur l'océan and 7 Roles: Performing Krazy Kat (1961) by Öyvind Fahlström Comics are collages of panels/images (and often words). Both are discrete, discontinuous, heterogeneous, and modular. Features Comics / Collage / AppropriationĬomics and collage are homologous. ![]()
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